Mateusz Moleda

Biography

"... When working he is focused and determined, he perfects the accentuation, tightens the pace, emphasizes orchestral differentiation and sophistication. ..." reported the Bavarian broadcasting station BR-Klassik, while accompanying Mateusz Moleda's rehearsals with the Nuremberg Symphony Orchestra on a concert tour to Poland. In season 2017 / 2018 he continues his successful collaboration with the orchestra in five concerts in various German cities and at the Meistersingerhalle in Nuremberg.

Season 2018 / 2019 marks among others Mateusz’s debut in Denmark, conducting the Aarhus Symphony Orchestra in a program of works by Debussy and Hindemith and also the world premiere of the Concerto for Hammond Organ by Anders Koppel. Further invitations lead him with Messiaen's L'Ascension and Bruckner's Symphony No. 9 to the Odense Symphony Orchestra as well as to Spain, Poland, Albania and South Korea.

Undoubtedly Mateusz is one of the most interesting and remarkable personalities among today’s young developing orchestra leaders. Ever since his first appearance as a conductor aged just 19, he has surprised his audiences and critics alike with very mature interpretations of discerning concert programs. Analysing seriously both the music and the composer, it enables him to provide fascinating musical perspectives and express deep thoughts on music of various styles, to then display an exciting presence and energetic conviction on the podium.

Over the past years, Mateusz has received important musical impulses from his mentor, the world-famous conductor Marek Janowski, for whom he worked by personal request also as assistant with the Berlin Radio-Symphony Orchestra, the Dresden Philharmonic and the Frankfurt Radio Symphony Orchestra. By sharing his varied experiences, Maestro Janowski has profoundly influenced the artistic development of the aspiring conductor in the spirit of the old German conducting school.

Born in Germany, Mateusz grew up in Dresden. During his early training, he studied the piano at the Hochschule für Musik, Theater und Medien in Hanover with Professor Arie Vardi, one of the most distinguished musical pedagogues of the world and permanent conductor of the Israel Philharmonic Orchestra. As an accomplished concert pianist Mateusz performed in more than 25 countries around the world. He released several CD recordings and collaborated with some of the finest European orchestras in major music venues like the Berlin Philharmonic.

The son of a Polish soprano and tenor who performed in leading roles at the Semper Opera Dresden, the Deutsche Oper Berlin and the Komische Oper Berlin for more than a decade, Mateusz encountered music theatre at an early age. He has an extensive operatic repertoire, which he continually expands also with rarely performed operas. His symphonic repertoire includes works from all musical periods, especially all symphonies by Beethoven, Schumann, Brahms and the complete symphonic works by Bruckner, but also rarely performed pieces like Karl Amadeus Hartmann's 6th Symphony, Florent Schmitt's symphonic cantata Psalm 47 and Henri Dutilleux's Métaboles and Correspondances.

Engagements as guest conductor have taken Mateusz to more than 15 countries around the world over the past years, including Germany, Italy, Spain, Poland, South Korea, Japan, South Africa and several countries of South America. He has worked with the Deutsches Kammerorchester Berlin, the Berlin Symphony Orchestra, the Nuremberg Symphony, the Jena Philharmonic, the Heidelberg Philharmonic, the Staatskapelle Schwerin, the Folkwang Kammerorchester Essen, the Warsaw Symphony and the NFM Wroclaw Philharmonic. Mateusz is a passionate traveller and has so far visited more than 60 countries around the globe. He is fluent in German, Polish, English, French and Russian.

Calendar
Repertoire
Review
Precision and Exuberance
Nordjyske Stiftstidende
Sat, 2018-10-06
"(...) Previously, the orchestra had warm-up with Schumann's Overture to "Genoveva" in a vivid and coherent interpretation that was conducted by Molęda with the utmost precision and exuberance. In the slow introduction, in particular, the wonderful tranquility came to the fore, which allowed the musicians to breathe with the music and to finish their phrases without undue stress. After the intermission, it was time for Robert Schumann's Third Symphony, named "Rhenish", a demanding and challenging work that does not play on its own. But also here, the young Mateusz Molęda demonstrated that he has a clear understanding of the work and showed subtile and transparent orchestral leadership through which he was able to convey his ideas to the orchestra unequivocally. The playing was full of energy and power while creating a coherent connection in the great lines of music. Molęda took very much care of a good inner balance between the groups of instruments. Particularly the brass was able to shine several times in the course of the symphony. Especially beautiful was the serious fourth movement, which was the prelude to a lively and quick finale, supple, dancing and full of invigorating energy. The orchestra played brilliantly and it has been a very nice encounter with a quite young, but impressively reliable conductor." By: Tore Mortensen
Press Service

Photo: Alexej Gorlatch

Photo: Alexej Gorlatch

Photo: Alexej Gorlatch

Media
Embedded thumbnail for Mateusz Moleda
Embedded thumbnail for Mateusz Moleda

Representation:
DK, NO, SE, FI